Sorry for the time off. Aaaaaand we’re back! With something simple, yet iconic, today. Ron Rudat’s presentation art for the 1984 Recondo figure, drawn in 1983. Ron designed the first seven or so years of figures, the sketches that turned into the sculpt input drawings, and for the first few years, he did the internal presentation work as well. This is a color photocopy, not the original.
Tag Archives: Ron Rudat
While Ron Rudat is best known for designing the G.I. Joe figure line (and a few vehicles) from 1981 to about 1987 (for the ’82 to about-the-’88 lines), what’s less well known is that he continued to contribute after that. Case in point, Star Bridgade Cobra Commander. Remember when Cobra Commander was an astronaut? You don’t? Oh, that’s because you perhaps stopped paying attention to the Real American Hero line before its end in 1994. Well, to catch you up, those final two years had a bunch of favorites (Duke, Roadblock, Destro) in astro-gear. And some aliens. (A topic for another day). Anyhoo, full disclosure, I added the color above. Today’s art is a black and white photocopy. Continue reading
As I’ve noted here, when R&D was concepting a G.I. Joe figure, that character would go through quite a process. A multitude of pencil sketches, input from other members of R&D, line reviews for higher ups, and even a rendered, full-color painting, all before sculpting commenced. As fun as it is to see proposed designs of toys that didn’t make it, it’s also fun to peak behind the curtain on favorites that did. Like ’89 Rock & Roll here. Continue reading
Told at many conventions and in many interviews is the prehistory of G.I. Joe, how Larry Hama pitched a military comic to Marvel called “Fury Force.” He sketched out six heroes — covert military types — along with a motorcycle, a van, and a secret base underground base. And later grafted it onto Ron Rudat’s G.I. Joe action figure designs, and made it the through line for the monthly G.I. Joe comic book.
Fury Force had a helicopter, too.
Today’s art peak brings you several photocopies of Russ Heath’s model sheets for the 1985 season of the animated G.I. Joe. While the Snake-Eyes action figure was iconically all black, the TV series had previously shown him in dark blue. (All black doesn’t “read” well in animation.) For 1985, SE went dark grey, which to my eye reads better than the dark blue and works better as a stand-in for black since dark blue is already associated with Cobra. Russ Heath’s front view:
Clearly based, as many of his drawings were, on Hasbro’s internal presentation artwork:
This one, a black and white photocopy, doesn’t have a signature, and I’ll admit I don’t know who painted it. To my eye it’s not Ron Rudat — the proportions and clothing folds don’t match with work that I know is Rudat. The anatomy is tight, which says George Woodbridge, but his Joe work was colored and black ink, not rendered paintings. Maybe one of you eagle eyed Joe collectors can correct me in the comments. There is a slightly better reproduction of this image, still a black and white photocopy of a color photocopy, though, in Vincent Santelmo’s Official 30th Anniversary Salute to G.I. Joe.
Two more views by Heath:
And SE’s undercover disguise, drawn by Bruce Timm, from the beginning of “Battle for the Train of Gold.” To give you a sense of the timeline, this was drawn in August 1984, and the episode aired 14 months later.
And what appears to be an unused alternate from same.
I’m not sure where in the storyline of “Train” there would have been an opportunity for SE to wear this, but there is a horse farm in act 3, so who knows?