Tag Archives: Ron Rudat

Psyche-Out design by Rudat

I’ve always had a soft spot for Psyche-Out, subtly 1987’s weirdest G.I. Joe action figure. Here’s mine, missing his two shoulder clips. (Sorry, there’s 25% of his weirdness gone right off the bat.) (EDIT: Stephen Jubber posted this correction: “I fear your childhood Psyche-Out may also be missing his original pistol, Tim. He’s got a loaner from a Night Force Shockwave!” Thank for the fact check, Stephen!)

And here’s Ron Rudat’s pencil final for the character. This would get turned into painted presentation art, then a sculpt input drawing (aka a “turnaround”), and then a wax sculpture.

My favorite thing about this drawing is Rudat’s nebulous notation for “Electronics of some sort” on Psyche-Out’s chest piece. My favorite aspect of this character in general comes from his action figure’s dossier, written by Larry Hama. It reads, in part, that “Psyche-Out got his degree in psychology from Berkeley and worked on various research projects involving the inducement of paranoia by means of low frequency radio waves.” And then explaining what “Deceptive Warfare” is, Psyche-Out’s specialty, the dossier continues: “…you see a commercial on TV ten times a day for a particular brand of cookies. One day at the supermarket, you’ve overcome by a sudden craving for cookies. Confronted by an array of unknown brands, you choose the one that you saw advertised. They’ve won… And you’ve lost.”

The day I bought this toy my brother and I then went to our local video store, which was called Video Cassette Rentals. We must have just been to Lowen’s, an extraordinary mom and pop toy shop and just a few blocks over. I was so struck by that cookie reference that I read it aloud to my brother, us sitting there in the back seat. Kevin probably thought that Psyche-Out’s neon green jacket and wacky satellite dishes made for an unrealistic and unappealing Joe, but A) I thought they were cool and always gravitated more towards the sci-fi in Joe, and B) I think I also identified with clean shaven blondes on the G.I. Joe team since I looked like them. But this was the first time I had an inkling that the back-of-package dossiers were unusually written.

But returning to Rudat’s wonderful design and drawing (that’s two different skills! Design being one and drawing being another), I’m impressed by those six solar cells on his arms. It makes sense that his gear wouldn’t just be battery powered. (Insert joke here about Night Force Psyche-Out’s ineffectiveness.) I like that Rudat is thinking through what such a soldier would need in the field, and yet if I didn’t know what these do-dads did, they offered just enough of an impression to be an addition to this costume without being confusing or distracting. Also great in this art is Rudat’s handling of Psyche-Out’s quilted jacket.

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Barbeque colors by Rudat

G.I. Joe fans are probably familiar with this guy:

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Ron Rudat faces 1981

Ron Rudat 1981_17_TEASE

In May and June of 1981, Ron Rudat was sketching up a storm.

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B.A.T. Concepts (#3) by Ron Rudat

From 1981 to about 1987, Ron Rudat was Hasbro’s G.I. Joe figure designer. This drawing likely dates to 1984 or 1985. As with the last two we’ve examined here at A Real American Book!, it’s Rudat figuring out the look of Cobra’s Battle Android Trooper. Here’s a production B.A.T. that I purchased in 1986:

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B.A.T. Concepts (#2) by Ron Rudat

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B.A.T. Concepts (#1) by Ron Rudat

RonRudat_86BAT_concept01_TEASE

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Rudat Serpentor Air Chariot sketches

Serpentor Air Chariot sketch detail by Ron Rudat

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Wild Weasel color study circa 1983

84 Wild Weasel color study close up

We all likely respond to Wild Weasel’s signature red flight suit. Depending on the light, it’s a little maroon, a little magenta. But overall, it’s red. Red, the color of blood, the color of rage, the color of evil, the color of the Red Baron’s plane. Much of what made Cobra stand out so much from G.I. Joe those first few years, 1982 – 1986 or so, was color: Joes were generally greens, browns, and tans. Cobra was generally blue, black, and red.

After figure designer Ron Rudat finalized each Joe or Cobra, he would color several — sometimes several dozen — photocopies of his final drawing, and with markers or ink, brainstorm a myriad of color schemes. You lose much of the effect if you see any one by itself, as the real revelation comes in seeing ten or fifteen laid out together, all the strange and wonderful possibilities that might have been.

But here’s a might-have-been for Wild Weasel.

84 Wild Weasel color studyI think he might have gotten lost against a dark blue plane had he arrived in this grey. But it’s neat nonetheless. (Perhaps these duds against a red plane!) In what colors have you wanted to see Wild Weasel?

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Dreadnok Thrasher color comp

1986 Thrasher sketch color comp Ron Rudat

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Ron Rudat Recondo Presentation Art

Recondo resentation art Ron Rudat

Sorry for the time off.  Aaaaaand we’re back!  With something simple, yet iconic, today.  Ron Rudat’s presentation art for the 1984 Recondo figure, drawn in 1983.  Ron designed the first seven or so years of figures, the sketches that turned into the sculpt input drawings, and for the first few years, he did the internal presentation work as well.  This is a color photocopy, not the original.

Recondo resentation art Ron Rudat 1983

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