And here’s Ron Rudat’s pencil final for the character. This would get turned into painted presentation art, then a sculpt input drawing (aka a “turnaround”), and then a wax sculpture.
The day I bought this toy my brother and I then went to our local video store, which was called Video Cassette Rentals. We must have just been to Lowen’s, an extraordinary mom and pop toy shop and just a few blocks over. I was so struck by that cookie reference that I read it aloud to my brother, us sitting there in the back seat. Kevin probably thought that Psyche-Out’s neon green jacket and wacky satellite dishes made for an unrealistic and unappealing Joe, but A) I thought they were cool and always gravitated more towards the sci-fi in Joe, and B) I think I also identified with clean shaven blondes on the G.I. Joe team since I looked like them. But this was the first time I had an inkling that the back-of-package dossiers were unusually written.
But returning to Rudat’s wonderful design and drawing (that’s two different skills! Design being one and drawing being another), I’m impressed by those six solar cells on his arms. It makes sense that his gear wouldn’t just be battery powered. (Insert joke here about Night Force Psyche-Out’s ineffectiveness.) I like that Rudat is thinking through what such a soldier would need in the field, and yet if I didn’t know what these do-dads did, they offered just enough of an impression to be an addition to this costume without being confusing or distracting. Also great in this art is Rudat’s handling of Psyche-Out’s quilted jacket.
From 1981 to about 1987, Ron Rudat was Hasbro’s G.I. Joe figure designer. This drawing likely dates to 1984 or 1985. As with the last two we’ve examined here at A Real American Book!, it’s Rudat figuring out the look of Cobra’s Battle Android Trooper. Here’s a production B.A.T. that I purchased in 1986:
We all likely respond to Wild Weasel’s signature red flight suit. Depending on the light, it’s a little maroon, a little magenta. But overall, it’s red. Red, the color of blood, the color of rage, the color of evil, the color of the Red Baron’s plane. Much of what made Cobra stand out so much from G.I. Joe those first few years, 1982 – 1986 or so, was color: Joes were generally greens, browns, and tans. Cobra was generally blue, black, and red.
After figure designer Ron Rudat finalized each Joe or Cobra, he would color several — sometimes several dozen — photocopies of his final drawing, and with markers or ink, brainstorm a myriad of color schemes. You lose much of the effect if you see any one by itself, as the real revelation comes in seeing ten or fifteen laid out together, all the strange and wonderful possibilities that might have been.
But here’s a might-have-been for Wild Weasel.
I think he might have gotten lost against a dark blue plane had he arrived in this grey. But it’s neat nonetheless. (Perhaps these duds against a red plane!) In what colors have you wanted to see Wild Weasel?
Sorry for the time off. Aaaaaand we’re back! With something simple, yet iconic, today. Ron Rudat’s presentation art for the 1984 Recondo figure, drawn in 1983. Ron designed the first seven or so years of figures, the sketches that turned into the sculpt input drawings, and for the first few years, he did the internal presentation work as well. This is a color photocopy, not the original.